Vintage Interview: Adam Carson, Drummer of AFI. On the streets of Dallas, Texas. Halloween 1999?


Originally printed on HAND CARVED MAGAZINE.(RIP)

The Scene: October 30th 1999. Dallas, Texas. In front of Insomnia Coffee Bar.
It seems our dear Friend Scandalist was deep in the Halloween spirt. After watching AFI we were left with little to do and even less cash. So what did we do? We stood out in front of Insomnia, while Good ole Scandalist decided to, Moon people, Show people his breasts, Yell in unsuspecting people’s faces and then chase them down the street and yell at them some more. After a little over an hour of watching the master moon taxi cabs and Hippie buses, We just happened to run into Adam from AFI. Here is the interview we conducted that shortly followed:

Damian: I’m here with Hunter form AFI. Its that correct?
Adam: Nope.

Damian: Who are you?

Adam: My name is Adam.

Damian: Oh. [pause] Now I feel like a retard.

Adam: HaHaHa. We’re off to a great start here.

Damian: They told me you were Hunter. So I’m going to ask you some questions about you running Checkmate Records even though you don’t run Checkmate Records.

Adam: You can ask me anything you want about Checkmate Records. I’ll answer it the best I can.

Damian: So, uh, How long have you been in AFI?

Adam: Since its conception. Probably eight years. Eight and a half.

Damian: Have any regrets?

Adam: None what so ever.

Damian: None? Now, All Hallow’s EP came out recently. Tell us a little about that. What’s up with that?

Adam: The All Hallows EP is a four song EP that came out in the beginning of October. It has three originals and a cover of Halloween, by the Misfits. Its obviously Halloween themed. There’s a thousand, limited edition, orange vinyl seven inches and a bunch of CDs. We like it. We think its among the best stuff that we’ve done.

Damian: So have the Misfits heard the cover?

Adam: I don’t know. But we’re going to be touring with Danzig in a couple of weeks. So he might start asking us for his mechanical royalties.

Damian: Are you excited about that?

Adam: Yea, I’m excited about it. We haven’t actually gotten permission to do the song. So I don’t know if he’s going to be fining us or not. The Danzig tour should be cool. We’re going to be playing in front of a lot of people who have not seen us before. They probably won’t hate us. But you know? Its rock ‘n roll.

Damian: Well its officially Halloween now. You guys are playing Fitzgerald’s in Houston
tomorrow night. Any special surprises for that show, that we’re going to miss because we’re in Dallas?

Adam: I think so.

Damian: Can you tell us about that because we’re not going to be there?

Adam: Nah. You’ll have to read it on the Internet or something.

Damian: Read it on the Internet? Come on…

Adam: Nothing to crazy. There is a certain Halloween feel that we like our shows to have. Every show so we’re not doing a hole lot different. It will be fun.

Damian: Now this isn’t your first tour with Sick Of It All. Have you been getting a better response this tour versus the last tour with them?

Adam: I think so. When we did that first tour we were largely unknown in the cities we played. We’ve since toured extensively by ourselves. We have a small fan base in every city. Which is cool.

Scandalist: Did I frighten you when i started screaming at you?

Adam: No.

Scandalist: Oh, well. I’m sure it was annoying.

Adam: You actually didn’t scare me. I was expecting you too, I was hoping you wouldn’t….

Damian: Alright, Now there were people here tonight just to see you, then they left as soon as you got off the stage. Does that make you feel good?

Adam: In a way that makes me feel good that people are coming to see us. On the other hand, I find it ridiculous that people pay money to see Sick Of It All and don’t even stick around. They don’t realize that Sick of It All was the reason most of these bands on the bill are there, the reason we do what we do and love it so much is that Sick Of It All sets such a great example. These guys have been doing it for fifteen years and they love what they are doing. They are not going to stop any time soon. They have made it their life. They have made it their career. I think it is sooo Amazing and admirable that they day in and day out just grind away. Cause they are not a huge band. Its a lot of work for them. They do it because they love it. That’s completely inspirational. I’m amazed that people leave without experiencing that. Such as yourselves…

Damian: Well We drove about 3 hours basically to see you guys play.

Adam: That’s so flattering. Its really cool. I think you guys missed out on not watching Sick Of It All.
Scandalist: So what inspires you?
Adam: Pete’s coffee.

Then the conversation went to someone talking about sex and then Adam excusing himself because he was, “Missing out.” End.

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Chumped – Anika Pyle Interview on Teenage Retirement (New Noise Magazine Issue #13 – Nov 2014)

Editor’s Note: This is the raw draft of the interview published by New Noise Magazine. This draft has not been seen by an editor. There may be errors. Chumped have created the soundtrack to your future up all night singalong drink-a-thons with your best friends. The band have crafted simple, elegant and most importantly catchy pop-punk songs about the ideals that we hold dear in our youth and yet will resonate with those of all ages: friendship, growing and loss.  The band’s first two EP’s have garnered them extraordinary praise and an already intense following. Their full length debut, Teenage Retirement, is one of the most anticipated records of the year. We talk to vocalist Anika Pyle about relocating to New York City from small town Colorado, dealing with the praise, gigantic festivals and returning to The Fest 13. Teenage Retirement comes out this fall.   How does it feel to have come from small town Colorado, all the way to one of the largest cities in the world and to have found success, and more importantly do you view your current praise as success? Wow. Success. How do you measure that? I’m really proud of what we’ve been able to accomplish as a musical unit. If you had asked me 5 years ago or 2 years ago if I would be making a record and  doing what I love with my best friends and sharing a bill with bands that literally changed my life I would have laughed in your face. I think I measure these small  but amazing things we do as success.    You guys came out of the gate and garnered a ton of praise for yourself titled debut. How does that early success effect the work you put into Teenage Retirement? Teenage Retirement was a succession of beer drinking and Cheetos eating that began with the Chumped EP…a natural progression if you will. No, I think we put out that EP, with full intention of pressing it ourselves and giving it to our moms and when people other than us even paid attention to it, it floored us and really inspired us to keep making more music. I think we were all truly shocked that anyone other than us gave a shit. We wrote a full length record because we weren’t done writing songs, we had more things to say and more music to make, but it felt good to have one under our belt. Plus, there are way more Cheetos to be eaten.    It’s 2014 and we need to shed the idea of Male or Female songwriters and focus on just being songwriters, how do you work to continue to work to blend those lines? Do you have any interest in being a “role model?” and does that title frighten you? I’m a woman in a band. There are many others. Get over it. I’ve never really thought of myself as being important enough to be a role model and thinking that someone might look up to me is a little terrifying. However, I had a lot of people in my life who shaped who I am as a musician and a person. So I guess if I was that person for someone else I’d be humbled by it.    You guys are a band that is right at home in my basement, yet you opened up Riot Fest Chicago. How was your experience being part of that gigantic machines?Riot Fest was maybe one of the coolest things I’ve ever done. I think we definitely felt like a tiny blip in a giant universe but getting to see so many of my favorite bands while getting turnt with my best friends? Anytime. We were totally honored and would do it again in a heartbeat.    With so many of your contemporaries playing more and more of these larger festivals, how much is playing Riot Fest Chicago a kind of “Ghost of Festivals to come” experience for you, and what do you learn playing these giant festivals?We were totally blown away when we got asked to play Riot Fest. There were zero expectations. It was definitely the biggest stage we’ve ever played to a big crowd of people we’ve never met before and I think we learned a lot about our comfort levels. It was a really different experience but honestly super inspiring.  The biggest lessons we learned were “don’t be scared” “bring beer.” Our set time was so early that even the bars weren’t open.    This October you are returning to your proving grounds of the Fest, but with a lot more time, experience and fans under your belt. When returning, I imagine the band being like a bunch of kids going back to school after summer vacation. What are you going to be most proud of to show or tell all your friends?We are incredibly proud of Teenage Retirement and we’re stoked to be able to play some new songs in Gainesville. Fest is a really magical weekend and I can’t wait to tell all my friends that despite the fact that they’re all idiots, we love them. 

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Vintage Interviews: A Wilhelm Scream/Smackin’ Isaiah interview from circa 2005. Black Sheep. Colorado Springs.

Originally published in Mostly Harmless Magazine #0 & reprinted for Mostly Harmless Magazine #1. This interview has also been published as a Mostly Harmless Podcast episode. This is a Vintage interview with A Wilhelm Scream circa 2005. This interview took place in Colorado Springs at the building that would eventually become the home to THE BLACK SHEEP. The interview was one of the first interviews, where I was finding my footing. Learning to banter and jump back and forth. I look back at this interview and it reads like AWS were such assholes, and years later I reconnected with their touring guitarist Curtis Lopez and it turns out the guys were huge dicks at this early point in their career, but who wasn’t a huge dick in their 20’s? But what I remember of that night, was being madly in love with this little band since their previous adventures in Colorado Springs with Pinhead Circus a few years earlier, when the band was still touring as Smackin’ Isaiah. AWS showing up in Colorado Springs during this particular summer was just what I needed to jump back into my hobby of interviewing bands, after a few years of depression inspired sabbatical. I loved this interview. I had so much fun bantering with the fellas. I had so much fun being shit talked by Nuno to ask questions faster! I was hanging out with my heroes. This interview was published on Myspace before becoming the center piece of Mostly Harmless Magazine Issue #0, before being reprinted in Mostly Harmless Magazine Issue #1 in 2005. While on Myspace, I took the audio from this interview and turned it into what would be a prototype for the eventual Mostly Harmless podcast, in fact the very first Mostly Harmless Podcast episode is this interview, along with an interview with THE ERGS, to show people what I was going for with Mostly Harmless. Thank you to Nuno Pereira, Christopher Levesque & Curtis Lopez for taking the time to talk with an awkward 24 year old kid as he was just discovering his love of PBR and harassing bands with questions. This interview helped my life take off into the direction to the place that I am today. I will be forever grateful to AWS for this night, the memories and all the great shows I’ve witnessed them at in the last 20 years. Want to listen to the audio of this interview? Download the Mostly Harmless Podcast preview episode from: https://mostlyharmlesspodcast.com/flashback-episode-1-w-a-wilhelm-scream-the-ergs/ Thank you to Nuno Pereira, Christopher Levesque & Curtis Lopez for taking the time to talk with an awkward 24 year old kid as he was just discovering his love of PBR and harassing bands with questions. This interview helped my life take off into the direction to the place that I am today. I will be forever grateful to AWS for this night, the memories and all the great shows I’ve witnessed them at in the last 20 years. Want to listen to the audio of this interview? Download the Mostly Harmless Podcast preview episode from: https://mostlyharmlesspodcast.com/flashback-episode-1-w-a-wilhelm-scream-the-ergs/ —————— “The Wilhelm scream is a stock sound effect first recorded in 1951 for the movie Distant Drums. It has been featured in dozens of movies since. …It is probably the most well-known cinematic sound cliché.” -Answers.comThere is nothing “stock” sounding about the unconventional band known to the world as A Wilhelm Scream. With their gripping melodies and invigorating guitar parts of punk, metal and jazz, AWS burst onto the scene in 2002 as Smackin’ Isaiah, with their release, “Benefits of Thinking Out Loud,” on Jump Start records. Shortly after, CHRIS LEVESQUE joined the band and that’s when everything, including their name, changed. They signed up with Nitro Records and recorded “MUTE PRINT” in 2004 with the Blasting Room crew of Bill Stevenson and Jason Livermore. After years of relentless touring, June 2005 found the band back in Colorado Springs, supporting The Lawrence Arms. The following interview transpired after several, SEVERAL alcoholic beverages … (thanks to Willow for editing this for me…) Nuno: Check. Check. One. Two. Nuno Pereira. Lets go. Fucking do this shit. Drink beers.That’s Nuno. Who are you?Chris: I’m Chris, dawg.Cobra: Cobra.Chris: AKA Rabbit, AKA Rookie of the Year.Cobra: Or just Curtis.Chris: AKA Tiffany. Cobra, how long you been in the band. You’re new, huh?Cobra: 3 months? You don’t know any of the songs off of … Umm …Chris: “Benefits Of Thinking Out Loud.”Cobra: No, No, and if I knew I was going to be getting so much shit every day… I would have fucking learned the whole thing.Nuno: It was a tough regiment …Chris: When I joined the band, everyone wanted to hear shit off of “A Way to A Girl’s Heart is Though Her Boyfriend’s Stomach.” So I know exactly how you feel.Cobra: I will learn it, I promise.Chris: They were all like “Play ‘Bowling.’” and I don’t know that shit. I know why you guys changed your name, but why did you guys change your name?Chris: Because Smackin’ Isaiah was a SHITTY name.Nuno: You heard it here first. Chris is fucking correct. It was a terrible name. Thank you Chris for joining the band and giving us a fresh start.Cobra: When I first heard of the band …Chris: Nobody liked the idea of A Wilhelm Scream. And I pushed that shit, so hard, until other people liked it.Nuno: And he always pushes hard, by the way, ladies.Chris: Yeah. Really hard.Nuno: Next question, next question. Next question.Cobra: Wait, wait, wa …Nuno: No!Chris: No waiting!Nuno: Next Question!Cobra: I thought it was a ska band when I first heard the name.Nuno: SHUT UP FUCKING ROOKIE!Chris: Ease up, Rabbit So what kind of confusion did you guys run into? ‘Cause when I was looking for Smackin’ Isaiah, I fell in love with you guys. Last time you were here, I was looking for Smackin’ Isaiah. And I was wondering what the fuck happened to you guys… Now you are A Wilhelm Scream…Nuno: We tour

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