Editor’s Note: This is the raw draft of the interview published by New Noise Magazine. This draft has not been seen by an editor. There will be errors. BoySetsFire have ended their radio silence and returned to unleash upon us While a Nation Sleeps. This is the band’s first release in seven years, although vocalist Nathan Gray is quick to mention that he has been busy with other projects during that downtime such as I AM HEARSAY and THE CASTING OUT. While not playing music, Nathan has formerly worked as an employment consultant for people with disabilities. At the moment he is an Occupational Safety and Health Administration (OSHA) representative on a Coast Guard yard, “watching people work.” It was there on the Coast Guard yard on his lunch break that Nathan stopped to talk about the upcoming record. In a press release you spoke that “We didn’t want to do this record, we had to do it. Something inside us still ached and we needed to share it with you.” Some writers describe themselves as conduits for the universe at large. So for this record, are you a conduit or does this come from another place within you? I’m not a big fan of hocus pocus. I don’t believe the universe is doing this to me. I believe that my own dysfunction does this to me. I believe that’s what it is for all musicians and artists is their own feeble dysfunctions, which others can see as very cool. [Laughter] I believe that a lot of musicians and artists were pushed by a dark force, to an extent, that is inside us. That’s why we do it. It’s to let out those demons. I feel that most artists and musicians, if they do not do that, they will end up killing themselves or somebody else in the process. That is our psychology couch. I go to music. I go to what we do with BoySetsFire and with my other bands, to get out what I need to get out and be a well adjusted person. Or at least as well adjusted as humanly possible. I think for us it is more desperation that being a conduit. Listening to the new record, I’ve found that the new album is both angrier and mellower than the older albums. Does it feel that way to you? I do think it is mellow and angry all at once. That is just sort of who we are. We have a maturing process. I find that at the same time that as you mature and get older, you don’t always completely mellow out on some things. You almost get more pissed as you get older. “Really? It’s 2013 and this shit is still going on?!?” [Laughs] It’s bizarre how certain topics and things can be relevant for SO. FUCKING. LONG. You just look around and there is hysteria and stupidity everywhere. At the same time with a lot of things, there is a mellowing out, that I especially feel with our more melodic songs, that’s more of us fitting into our style. That’s what we became in a lot of ways with our more melodic sound. That IS BoySetsFire’s melodic sound. I don’t think we’ll ever refine our heavy style. With every album the heavier songs sound different from every album to album. As with the more melodic songs, seem to follow a certain path. I’m not quite sure why that is. It does seem to be working that way. I guess we have found our way for the more melodic songs and it just comes naturally and our heavy songs come naturally, but in this weird schizophrentic way. They are always different, all the fucking time, and every fucking album. Does the anger ever go away? It comes and goes, ebbs and flows. It is what it is. If it didn’t, I would be psychotic. [Laughter] If you’re always angry or always happy, there is always something wrong with you. [Laughter] I think that’s why BoySetsFire comes off so schizophrentic at times. It’s so up and down and up and down and happy and sad and angry and glad. That’s why it comes off that way. I really enjoyed the Charlie Chaplin quotes from the film The Great Dictator used in the album. In particular the quote: “You must speak.” “I Can’t.” “That is our only hope.” With BoySetsFire you have ultimately become a speaker for the speechless. You’ve spoken that BoySetsFire has saved your life though the voice that it has given you. What attracts you to being that voice? I don’t know if I could even tell you. It’s not natural. I think a lot of times self preservation is a lot more natural than to speak out. At the same time, You have to think that in some ways, speaking out and speaking for others is in a way self serving. It works for some people and it doesn’t work for others. Some people, it gives them a good feeling and makes them feel like they are accomplishing something. That in some way they are preserving their own freedoms by helping others with theirs. I feel like that is where my empathy comes from, to an extent. I do feel empathy for people. It’s a natural thing that comes about, while at the same time there is this knowledge that that empathy comes from a very natural place. It’s not some kind of artistic, fancy cosmic thing. It’s something that some people just have. You have it in you and it’s this driving force, just like self preservation. They are connected. When you fight for other people’s freedoms, when you reach out and touch someone else’s life. Well, in a lot of ways that comes back for you and the society you live in. How does the gratitude of a listener who has been helped by your music effect you? Of course if effects me positivity. It’s an honor.
