Chumped – Anika Pyle Interview on Teenage Retirement (New Noise Magazine Issue #13 – Nov 2014)

Editor’s Note: This is the raw draft of the interview published by New Noise Magazine. This draft has not been seen by an editor. There may be errors.

Chumped have created the soundtrack to your future up all night singalong drink-a-thons with your best friends. The band have crafted simple, elegant and most importantly catchy pop-punk songs about the ideals that we hold dear in our youth and yet will resonate with those of all ages: friendship, growing and loss. 

The band’s first two EP’s have garnered them extraordinary praise and an already intense following. Their full length debut, Teenage Retirement, is one of the most anticipated records of the year. We talk to vocalist Anika Pyle about relocating to New York City from small town Colorado, dealing with the praise, gigantic festivals and returning to The Fest 13. Teenage Retirement comes out this fall.

 

How does it feel to have come from small town Colorado, all the way to one of the largest cities in the world and to have found success, and more importantly do you view your current praise as success?

Wow. Success. How do you measure that? I’m really proud of what we’ve been able to accomplish as a musical unit. If you had asked me 5 years ago or 2 years ago if I would be making a record and  doing what I love with my best friends and sharing a bill with bands that literally changed my life I would have laughed in your face. I think I measure these small  but amazing things we do as success. 

 

You guys came out of the gate and garnered a ton of praise for yourself titled debut. How does that early success effect the work you put into Teenage Retirement?

Teenage Retirement was a succession of beer drinking and Cheetos eating that began with the Chumped EP…a natural progression if you will. No, I think we put out that EP, with full intention of pressing it ourselves and giving it to our moms and when people other than us even paid attention to it, it floored us and really inspired us to keep making more music. I think we were all truly shocked that anyone other than us gave a shit. We wrote a full length record because we weren’t done writing songs, we had more things to say and more music to make, but it felt good to have one under our belt. Plus, there are way more Cheetos to be eaten. 

 

It’s 2014 and we need to shed the idea of Male or Female songwriters and focus on just being songwriters, how do you work to continue to work to blend those lines? Do you have any interest in being a “role model?” and does that title frighten you?

I’m a woman in a band. There are many others. Get over it. I’ve never really thought of myself as being important enough to be a role model and thinking that someone might look up to me is a little terrifying. However, I had a lot of people in my life who shaped who I am as a musician and a person. So I guess if I was that person for someone else I’d be humbled by it. 

 

You guys are a band that is right at home in my basement, yet you opened up Riot Fest Chicago. How was your experience being part of that gigantic machines?
Riot Fest was maybe one of the coolest things I’ve ever done. I think we definitely felt like a tiny blip in a giant universe but getting to see so many of my favorite bands while getting turnt with my best friends? Anytime. We were totally honored and would do it again in a heartbeat. 

 

With so many of your contemporaries playing more and more of these larger festivals, how much is playing Riot Fest Chicago a kind of “Ghost of Festivals to come” experience for you, and what do you learn playing these giant festivals?
We were totally blown away when we got asked to play Riot Fest. There were zero expectations. It was definitely the biggest stage we’ve ever played to a big crowd of people we’ve never met before and I think we learned a lot about our comfort levels. It was a really different experience but honestly super inspiring.  The biggest lessons we learned were “don’t be scared” “bring beer.” Our set time was so early that even the bars weren’t open. 

 

This October you are returning to your proving grounds of the Fest, but with a lot more time, experience and fans under your belt. When returning, I imagine the band being like a bunch of kids going back to school after summer vacation. What are you going to be most proud of to show or tell all your friends?
We are incredibly proud of Teenage Retirement and we’re stoked to be able to play some new songs in Gainesville. Fest is a really magical weekend and I can’t wait to tell all my friends that despite the fact that they’re all idiots, we love them. 

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Off With Their Heads Interview // Ryan Young on In Desolation (New Noise Magazine Issue #1 – March 2013)

Editor’s Note: This is the raw draft of the interview published by New Noise Magazine. This draft has not been seen by an editor. There will be errors. You’ve got a new record, HOME, coming out into the world in March. After all the hard work and effort, how does it feel to be putting this thing out into the world? Good. It’s been finished since the end of July. I honestly thought it would be released in the fall, but I guess their deadline was too close to Xmas. I was told it’s a bad idea to release records around that time. I was pretty bummed at first (knowing we would have to wait so long), but I realize that the label certainly knows more than I do about putting out records. It’s a deeper, darker and ever more personal record than the already incredibly personal records that preceded it. Yet, you do it so effortlessly and fearlessly. Do you get nervous putting so much of yourself out there? I wouldn’t say it’s effortless or fearless at all. I hate going in to make records. I know that the only way to make it powerful and meaningful to myself is to dig way into all the shit that I put off dealing with since the last record. I was always afraid that I would run out of things to write about as I got older. It turns out that there seems to be an entirely new set of worries and problems that come with getting older. Back when we did Hospitals, I felt like I could do whatever I wanted and there were no consequences. There weren’t, really. I was 24 and couldn’t die (believe me, we tried!). Now I’m 31 and a full grown man. The problem is that I don’t feel like one or even want to be one! I’m watching all of my friends and old band mates get married and have children, and I just want to get back to 24, you know? I think that’s been my new problem, and that’s obviously not going away. The actual making of the records is stressful in the lyric sense because I’m writing until the minute I record vocals. I might have something, but I usually change it to the most pressing thoughts I have right before they hit record. It’s also pretty embarrassing singing some of the shit I write to an engineer for the first time. I still haven’t gotten over that. It’s the ability of a true artist to make work look effortless!Then I must be a true artist, because that shit is hard! I’m 31 too and I’m in the same boat. I don’t want to grow up, I don’t want to have kids. I want to go out 5 nights a week and go see bands play each and every night. I don’t want to stop. I’m afraid to stop. What I really like and what really grabs me about HOME, is many of the themes hit home for me and hit home hard. I might have made this idea up, but the ideas of feeling alone in a room full of people. The ideas and feelings that I’m in a hole I’ll never get out of. And here’s another guy with the same shit going on in his head, but he can kind of play guitar and can sing. The honesty hits home. How important is honesty, or am I making that up in my head? haha It’s super important. That’s why it takes me so long to write. I procrastinate because to be perfectly honest about it, I’m not a very honest person publicly. If I go out to a show, or hang out at a show that I’m playing, I don’t want to talk about this shit. I want to have fun. The switch flips when I get home though. It’s kinda like that episode of It’s Always Sunny where Charlie is explaining that they have to huff glue and eat the cat food to fall asleep as fast as possible. I have a similar routine. I think Home is kind of a deeper explanation of why I feel the way I do all the time, and less about the specific shittiness like the previous records. So when someone like me comes up to you at a show and tells you that they understand how you feel and feel that way too, that maybe your honesty has helped them through some dark times as well, Does that freak you out? Not at all. I think it’s cool when people say stuff like that. It happens more often these days than it used to. It just depends how that conversation goes down. I think you should use music like this as therapy or an escape. Same goes for the show. People just have to keep in mind that I am not a therapist. I can’t help anyone on a personal level. I can give you some music, but I have no good advice. That’s where the title for the song “Seek Advice Elsewhere” comes into play. When you are at an OWTH show and are having a good time, roll with it. Don’t dwell on whatever problem you have while there, and please don’t put me in the position of feeling bad about it. I’m there doing the same thing! Let’s move in and talk more about that album, entitled HOME. It’s a simple, but loaded title for a loaded album. What does HOME mean to you? I never really have an idea for a theme when doing a record. I think this one stemmed from us touring for 5 years straight. It’s about all the different places that I’ve called home over the years, and why each of them has never clicked and felt right. I still don’t feel like I’ve found the “home” that everyone who is content with their lives has. I guess right now, my

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