Breckinridge Bourbon Interview Hour With Dammit Damian

Dammit Damian!

I’m sorry guys, but I did it again.
I’m going to do another series of Mostly Harmless interviews.
I did the first one today, and I have a couple more scheduled for the next few days.
I’m sorry for what is to come…
I’m going to be constantly asking you guys to listen to interviews with people you’ve never heard of and couldn’t care less.
I’m going to work hard to introduce a handful of you to movies, comedians, records, comics, ect… that I love, and that I see potential in.
In these next few weeks, I’ll want to reach through this electronic screen and grab you in by the collar and yell, “CAN’T YOU SEE THE POTENTIAL TOO?!?!” 

I’ve been writing about art since I was a very little boy.
I don’t think I can ever stop.
I keep going and I keep doing it and I keep doing it and I keep quitting, but it keeps coming back. It’s that itch I don’t think I’ll ever be able to stop. Or wait, is that just the eczema on my hands?
Because I can not stop, here on this holiest of holidays, the day of birth of Mr. Kurt Vonnegut Jr….
I pledge to you that I will only try to bring you the best of the best. I’m going to bring you the things I believe in. The people I believe in and the stories I want to tell.
I don’t care about how many subscribers I have on YouTube. I just want the right subscribers. I’m not going to beg you to contribute to my Patreon, because I love this shit so much I do it for free.
I just can’t stop thinking up questions. I just can’t stop wanting to share my love of art with the world, while also learning how to make my own art.
I just want to create, it doesn’t matter how I do it. I just have to fucking annoy artists with my microphone, and then annoy all you to listen. But in the end, I love it. I love it all. It scratches so many itches I didn’t know it needed scratched.
I just have to remember what’s important….
Having fun. Being Weird. Being Damian.
Shit, what was this post originally about?
Oh yeah. Thank you. Thank you to all who have supported my ridiculousness.
Thank You to those who saw this shy, awkward quiet kid and saw his potential. Thank you to those who let me know they saw any kind of potential.
I’ve been very blessed with a number of friends who have supported this damned addiction of mine for all these years and helped me turn it into a real strange artform that I can never really stop experimenting within.
I’m just going to create. It doesn’t matter how I do it.
PS. Breckenridge Bourbon, you make a superior product. If you ever want to sponsor a lowly podcast about creativity in your 40’s and the adventure that is life… Give me a buzz.

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Off With Their Heads Interview // Ryan Young on In Desolation (New Noise Magazine Issue #1 – March 2013)

Editor’s Note: This is the raw draft of the interview published by New Noise Magazine. This draft has not been seen by an editor. There will be errors. You’ve got a new record, HOME, coming out into the world in March. After all the hard work and effort, how does it feel to be putting this thing out into the world? Good. It’s been finished since the end of July. I honestly thought it would be released in the fall, but I guess their deadline was too close to Xmas. I was told it’s a bad idea to release records around that time. I was pretty bummed at first (knowing we would have to wait so long), but I realize that the label certainly knows more than I do about putting out records. It’s a deeper, darker and ever more personal record than the already incredibly personal records that preceded it. Yet, you do it so effortlessly and fearlessly. Do you get nervous putting so much of yourself out there? I wouldn’t say it’s effortless or fearless at all. I hate going in to make records. I know that the only way to make it powerful and meaningful to myself is to dig way into all the shit that I put off dealing with since the last record. I was always afraid that I would run out of things to write about as I got older. It turns out that there seems to be an entirely new set of worries and problems that come with getting older. Back when we did Hospitals, I felt like I could do whatever I wanted and there were no consequences. There weren’t, really. I was 24 and couldn’t die (believe me, we tried!). Now I’m 31 and a full grown man. The problem is that I don’t feel like one or even want to be one! I’m watching all of my friends and old band mates get married and have children, and I just want to get back to 24, you know? I think that’s been my new problem, and that’s obviously not going away. The actual making of the records is stressful in the lyric sense because I’m writing until the minute I record vocals. I might have something, but I usually change it to the most pressing thoughts I have right before they hit record. It’s also pretty embarrassing singing some of the shit I write to an engineer for the first time. I still haven’t gotten over that. It’s the ability of a true artist to make work look effortless!Then I must be a true artist, because that shit is hard! I’m 31 too and I’m in the same boat. I don’t want to grow up, I don’t want to have kids. I want to go out 5 nights a week and go see bands play each and every night. I don’t want to stop. I’m afraid to stop. What I really like and what really grabs me about HOME, is many of the themes hit home for me and hit home hard. I might have made this idea up, but the ideas of feeling alone in a room full of people. The ideas and feelings that I’m in a hole I’ll never get out of. And here’s another guy with the same shit going on in his head, but he can kind of play guitar and can sing. The honesty hits home. How important is honesty, or am I making that up in my head? haha It’s super important. That’s why it takes me so long to write. I procrastinate because to be perfectly honest about it, I’m not a very honest person publicly. If I go out to a show, or hang out at a show that I’m playing, I don’t want to talk about this shit. I want to have fun. The switch flips when I get home though. It’s kinda like that episode of It’s Always Sunny where Charlie is explaining that they have to huff glue and eat the cat food to fall asleep as fast as possible. I have a similar routine. I think Home is kind of a deeper explanation of why I feel the way I do all the time, and less about the specific shittiness like the previous records. So when someone like me comes up to you at a show and tells you that they understand how you feel and feel that way too, that maybe your honesty has helped them through some dark times as well, Does that freak you out? Not at all. I think it’s cool when people say stuff like that. It happens more often these days than it used to. It just depends how that conversation goes down. I think you should use music like this as therapy or an escape. Same goes for the show. People just have to keep in mind that I am not a therapist. I can’t help anyone on a personal level. I can give you some music, but I have no good advice. That’s where the title for the song “Seek Advice Elsewhere” comes into play. When you are at an OWTH show and are having a good time, roll with it. Don’t dwell on whatever problem you have while there, and please don’t put me in the position of feeling bad about it. I’m there doing the same thing! Let’s move in and talk more about that album, entitled HOME. It’s a simple, but loaded title for a loaded album. What does HOME mean to you? I never really have an idea for a theme when doing a record. I think this one stemmed from us touring for 5 years straight. It’s about all the different places that I’ve called home over the years, and why each of them has never clicked and felt right. I still don’t feel like I’ve found the “home” that everyone who is content with their lives has. I guess right now, my

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